About Joe Egg
"Nichols's play is
genuinely original."
New Statesman, Katherine Duncan Jones
A play about a hopelessly crippled child and her parents may not
immediately seem like your kind of evening out - but this Peter
Nichols play is an amazing piece of theatre with the kind of spark,
drama and depth you can rely on from Derby Theate in the Round.
Ten year old Josephine sits around, brain damaged
and seemingly unable to respond to the world around her. In an effort
to cope with the situation her parents Bri and Sheila, make up scenes
and invent personality traits and conversations for the child. Inevitably
the tension starts to build and the strain becomes almost unbearable
as we move between tragedy and dark comedy.
"Joe Egg raises provocative
questions about the relationship between love, dependence and
guilt, and not just for the parents of handicapped children. Laughter
is the balm that eases such considerations, for the audience and
Nichols' characters."
Elysa Gardner, USA TODAY
Nicknamed Joe Egg, Sheila's mother says that the child will never
be "more than a kind of living parsnip". Nichols smashes
every kind of taboo with this play and isn't afraid to confront
us with the kind of secret squeamishness most of use would rather
not admit to harbouring.
This is a play full of grace, compassion and laughter, as one critic
says "his humour is sharp and witty and will have you crying,
but so will his heartbreaking honesty".
Recent revivals of the 1960's play include a BBC Radio 4 with Christopher
Eccleston (2005) and West End productions with Eddie Izzard (2003)
and Clive Owen (2001).
"What Nichols does, with
an extraordinary humorous compassion, is to use Joe Egg to portray
a strained marriage and depict a society that doesn't really know
what it believes in."
The Guardian, Michael Billington
|